追剧网为您提供2002年由格雷戈·金尼尔,威廉·达福,丽塔·威尔逊,玛丽亚·贝罗主演,保罗·施拉德导演的《聚焦人生》/原名《Auto Focus》/又名《自动对焦》剧情,传记,犯罪电影在线观看完整版,《聚焦人生》百度云网盘资源以及《聚焦人生》高清蓝光mp4迅雷下载,《聚焦人生》BT下载资源,希望您能喜欢!
暂无简介导演:保罗·施拉德
主演:格雷戈·金尼尔 威廉·达福 丽塔·威尔逊 玛丽亚·贝罗
又名:自动对焦
Plot Summary:In 1965, Bob Crane, who had achieved some earlier success as a television supporting actor, was working as a successful morning radio DJ at KNX Los Angeles. Despite enjoying his work, photography (especially of the female form) and drumming, Crane wanted to be a movie star. So it was with some reluctance that he accepted the title starring role in a new television sitcom called Hogan's Heroes (1965), a WWII POW comedy. To his surprise, the show became a hit and catapulted him to television stardom. The fame resulting from the show led to excesses and a meeting with home video salesman and technician John Carpenter, with who he would form a friendship based on their mutual interests, namely excessive sex (for Crane, purely heterosexual sex) and capturing nude females on celluloid. His fame allowed Crane to have as much sex as he wanted, which was incongruent to his somewhat wholesome television friendly image, and the way he portrayed himself to almost everyone except Carpenter and his extramarital sex partners. His sex addiction was somewhat known but ignored by his high school sweetheart/first wife Anne Crane née Terzian, but well known by his second wife, Patti Olson, better known as Sigrid Valdis, his Hogan's Heroes co-star. Especially after the end of Hogan's Heroes in 1971, this incongruence and his friendship with Carpenter, with who he would have a continuing love/hate relationship, would contribute to both his professional and personal downfall.
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性瘾者的堕落
前半段会让观众误以为这是一部跟好莱坞有关的风俗喜剧,直到后来才明白电影讲的是一个性瘾者为自己铺就的悲剧之路。有几场戏看似风格极端突兀,但也预示了保罗·施拉德为什么会在十年后拍那部“臭名昭著”的《峡谷》。
4.5,Family Man的堕落与救赎,重述了录像技术之下走向消亡的旧好莱坞往事,以及色情行业的崛起,在影片结尾Bob Crayne最后一次向John Carpenter拨打电话之时,手持摄影机的游牧运动尝试着捕捉某种短暂的失焦状态,《聚焦人生》基本上可以被重构为《午夜凶铃》,正如它在影片后半部分所呈现的那样。对于Bob Crayne,Carpenter是一个Video Fancy的黑洞,是在录像带的Autofocus之下,欲望进入“眼球纪”,并将其推入male gaze的哈内克/伊戈杨式谵妄“空间”中(不再是隐喻的空间)来自屏幕的强度最终被释放。而在死亡之后,画外音突然响起,叙述着“将来”之事,《聚》回到了施拉德式奇迹剧,在这并不神圣的声音之下,超验要么在场,要么存在。【墓岛字幕组】
Sex craze in the age of VCR. 最后十分钟的cinematography真是breathe of fresh air
施拉德眼中的鲍勃·克兰,一个肤浅却需要被爱被认同的普通人,靠几近虚无的性爱证明自己的明星身份。当他终于要做回自己时,却不得不面对死亡。
人物 剧情都一般般